Authors: Patrick Gibbs
Film Review: C’mon C’mon
Everything about Mike Mills’ C’mon C’mon, from the gorgeous black-and-white cinematography to the editing, is pure perfection. … read more
Composer Carter Burwell’s Bright Manhattan Mornings and Dark Scottish Nights
The prolific composer Carter Burwell’s filmography spans 37 years, but this icon of film music never planned on composing for movies. … read more
Film Review: Bruised
Even if it lacks inspiration, Halle Berry approaches her directorial debut, Bruised, with workman-like precision and confidence. … read more
The Many Loves of Eleanor Coppola
Eleanor Coppola explores love, the connections that we make and the bonds we share in her new anthology film, Love is Love is Love. … read more
Film Review: Julia
Julia may not be the most life-changing or insightful documentary of the year, but it’s elegant, sweet and baked to perfection. … read more
Film Review: House of Gucci
House of Gucci follows Patrizia Reggiani’, an outsider from humble beginnings, in her marriage to Maurizio Gucci. … read more
From SLC To MCU: VFX Editor Hannah Long’s Super Career
By Patrick Gibbs pinkwombatcinema@gmail.com Every year at the Sundance Film Festival, Utah becomes a destination spot for filmmakers. For Hannah Long, a Lead Visual Effects Editor for Marvel Studios, Salt Lake is where it all began. “My family moved to Salt Lake when I was one year old,” Long says. “My dad‘s a … a
Film Review: King Richard
King Richard is inspiring and well worth seeing. It’s a return to form for Smith and a good film if taken on its own merits. … read more
Film Review: Ghostbusters: Afterlife
Ghostbusters: Afterlife is funny, exciting, suspenseful, heartfelt and is made with an equal combination of passion and skill. … read more
Film Review: The Power of the Dog
The Power of the Dog takes some time to digest, but it’s an unforgettable and challenging story that challenges the western genre. … read more