Music
The Chamber Music Society: Growing With The Modigliani Quartet
Glancing at the program, I noticed that the ages of the instruments that this quartet were going to play ranged from the newest being a 233-year-old Giovanni Battista Guadagnini violin to the oldest being a 423-year-old Luigi Mariani viola. I wondered about the different musicians hands that held and played these fine instruments through the centuries. The quartet would be performing pieces from Haydn, Dohnanyi and Debussy. … read more
Dax Riggs, Red Telephone, Breakers @ Urban Lounge 11.06
Last Wednesday night brought one of, if not the most, anticipated shows of the year for this fearless narrator. Dax Riggs is probably in my Capitoline Triad of music gods, which brings admittedly high expectations for a show. I’ve been to a lot of shows in my life, and you’re always prepared for a disconnect between the wind-blown fantasies in your brain and the reality. However, Wednesday was quite unusual, and I wouldn’t be doing my job if I wasn’t honest about it. … read more
Deerhoof @ Urban Lounge 11.10 with LXMP and Palace of...
Deerhoof are a bundle of paradoxes: both tightly in control in the precision of their playing and seemingly veering out of control like a car with no one behind the wheel into the chaos of oncoming traffic—conventionally rock n’ roll, yet at moments as “out there” as any experimental group. They’re sweet and playful and, at the same time, as brutal as any heavy metal band. … read more
Cold War Kids @ The Depot 11.06
This is the band that created “Sensitive Kid,” so honesty and humility blend in a foot-tapping way that this concert hall could hardly hold; however, The Depot did its best and the former House of Blues sound system thumped pleasantly with tappings and noddings of all sorts. “Bulldozer” is a subtle metaphor for the types of emotions felt in these situations, but hearing it live added a level of hope to being run over completely and the lyrics became real in a way you could only appreciate by closing your eyes. … read more
Bonobo @ The Complex 10.31 with Real Magic
Everyone’s eyes, glassy from drink or smoke, are all affixed to the stage again, a pale blue light accentuating their impatience to see the main attraction: Bonobo. Soon enough, there is movement on the far right of the stage and a man in a tiger mask makes his way onto the stage and takes his place at another DJ booth that sits higher center stage, above the drum set, the other DJ booth, keyboard and wind instruments. Simon Green, the mind behind Bonobo and the person behind the tiger mask, begins to adjust his equipment and music is being built in front of our very eyes. … read more
Nerd Alert: Literary Death Match Makes Its Rounds at The...
Founder of the Literary Death Match, Adrian Todd Zuniga, has transformed the idea that literary readings are reserved for the high brow and dull by creating a reading competition that pits local authors against each other to face head to head. The State Room was an excellent choice of venue with ample seating and ease of visibility, and as the booze flowed, the authors took their stance in the corners to meet their opponents. Four authors, three judges, two rounds and an epic finale. Let’s get ready to rumble! … read more
Widowspeak @ Urban Lounge 10.26 with Big Wild Things, Pure...
Having been described as “cowboy grunge,” Widowspeak quilt together classic Americana with darker rock and roll touches. Their Northwest background seems to add a very ’90s texture to their music. It was a bit alarming to me that there were only 30 people at most there to witness what was sure to be a glorious set. I overcompensated my excitement with cranberry vodkas and spilled one all over the floor during the first opener, Big Wild Things. … read more
Fuzz, CCR Headcleaner, Night Beats, Max Pain & the Groovies...
The first time I saw Ty Segall was in 2011 at the FYF Festival in Los Angeles, and I got the feeling, immediately, that he would be one to watch in the lo-fi indie rock realm. Besides his instinct for hummable yet suitably ramshackle melodies and chord structures, he just takes a lot of obvious enjoyment in playing music, as opposed to so many twee, aloof or effete hipster bands lately. He really gets into it physically—soaked in sweat (how many bands even break a sweat anymore?). … read more
KMFDM, Chant @ Park City Live 10.22
I have been a fan of industrial music pioneers KMFDM for quite some time, and I had never seen them live before. I could hardly contain my excitement. I was not going to miss this show for anything. I picked up my friend and headed up the canyon to Park City Live. CHANT was their special guest. I had not heard their music before, but my music friends informed me they put on a great show. I was stoked to see a line stretching nearly half a block, and I thought to myself, “Finally, a great turnout.” … read more
Melt-Banana @ Urban Lounge 10.20 with Baby Gurl, Kinski
Melt-Banana uses technology, from guitar effects to synthesized drum tracks, in such a way that you aren’t aware of it as technology. Rock n’ roll was originally a live medium, and Onuki’s stage presence is riveting as she wields the game controller, using it to control the frenetic rhythms of the music, as stage prop, as mere toy, or all three? This is the music of the future, I thought as I watched her—technology becoming part of the body, almost. … read more