Music
Top 5: Light/Black
When talking shop over recordings, you sometimes hear of bands “catching lightning in a bottle” with their music. If that analogy rings true, Light/Black didn’t just bottle it, they christened their amps with it. Make no mistake, the way they wrote and structured this album was no accident, nor did they cater to any minor niche group who may not like a certain kind of tone. This is a fucking good, heavy rock album. … read more
Top 5: J.D. Wilkes and the Dirt Daubers
Earlier this year, I was stunned and saddened to hear of the breakup of Th’ Legendary Shack Shakers, the band that Col. J.D. Wilkes fronted and took from obscurity to prominence. With the exit of longtime bass player Mark Robinson, Wilkes decided to start a new chapter with his wife, Jessica Wilkes, who was already a part of J.D.’s mountain string band, The Dirt Daubers. Jessica takes on bass playing and shares lead vocal duties in the new incarnation. … read more
Top 5: Galactic Cannibal
Pist, agitated and frothing at the mouth, We’re Fucked erupts with jovial violence meant as a blueprint for shout-alongs at live punk shows. Reviewers—and the band itself—have dichotomized Galactic Cannibal’s sound as being “pop punk + hardcore,” which skirts that this record is a short, sharp shock of street punk with its catchy gang vocals and major-key progressions coupled with vocalist Peter J Woods’ snarling assault. We’re Fucked, however, transcends these sonic genre conventions … … read more
Top 5: Daughter
It’s hard to put into words the emotions that Daughter’s full-length debut, If You Leave, bring up. Each time I turn it on, it’s as if Elena Tonra’s voice is reaching deep into my soul and shaking up all of those miserable, broken-hearted experiences, and then serving them back to me in a beautifully decorated, melancholy cocktail. … read more
Top 5: Danny Brown
Right from the first track (“Side A [Old]”), it’s obvious that this ain’t that old Danny Brown shit. He takes us there, into his old life—his mom braiding hair on the front porch (“25 Bucks”) and a crackhead burning off his lip doing stove hits (“Torture”). But this is new territory for Brown. Old strays from the minimalist and vocal-centric emphasis of XXX and the ’90s-worship of The Hybrid, and shows that Brown is as versatile and conceptual as ever. Old is more put-together, more focused around each song’s vibe or story. … read more
Top 5: Cult of Luna
Ascending out of the black abyss after five years of quietly lurking in the adumbrative shadows, Cult of Luna released their album, Vertikal I, which transcended the norm and boundaries of the typical metal wavelengths. With all the cultivation and care that went into Vertikal I, however, the album did not illuminate the full spectrum of sound that the band had intended to highlight. In 2013, Vertikal I was made whole, as Cult of Luna introduced three extra songs and a remix on a separate EP: Vertikal II. … read more
SLUG Mag’s Top 5 Albums of 2013
‘Tis the season—when SLUG contributors tally up their favorite album releases of the year and painfully pare those lengthy tomes into their Top 5 albums released in 2013. … read more
Top 5 Movies of 2012
Another year down and another Top 5 List for the film aficionados! Since we only have a small amount of time left before the volcanoes start erupting across the planet, here’s the list of 2012’s best and worst movie offerings … thus far! … read more
Top 5: White Lung
Where much new punk music is conflated with hardcore, stoner metal, indie, folk or pop-punk, White Lung have managed to pick up where mid-aughts bands left off, to push a straight-up punk sound into a different realm without interlacing their tunes with conventions from other genres on their sophomore release, Sorry. … read more
Top 5: Purity Ring
Shrines is a beautiful contradiction of icy, synthetic start-and-stops created by Corin Roddick, and the sugar-dipped ghost vocals of Megan James dissecting through the cold mass of chimes with awkward, gut-wrenching lyrics. Though the choppy hip hop beats, dubstep wobbles and breathy witch house elements initially draw the listener in with exterior superficiality, a few more close listens reveal a poetic push-and-pull between the instrumentals and songwriting that beg for deconstruction. … read more