I spent weeks buried behind my headphones listening to Harvey's every word within the horrifyingly beautiful socio-political battle she created. When I came up for air, I had two words to describe this piece of work: bloody brilliant. Studying the anti-war poems of Harold Pinter and dedicating two years perfecting her writing of the lyrics, she paints disturbingly vivid images of conflict, war, death and grief over a backdrop of buoyant folk-pop melodies.