An Oversimplification of Her Beauty

An Oversimplification of Her Beauty
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If a man like first-time director/screenwriter Terence Nance was as fascinated by me as he is by actress Namik Minter, my love-struck gaze would’ve been penetrating out of the silver screen rather than staring longingly into it from my seat amongst the audience of An Oversimplification of Her Beauty.  … read more

Sundowning

Sundowning
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Frank Rinaldi’s debut feature film, shot entirely in Singapore, follows a woman in her twenties named Shannon (played by Shannon Fitzpatrick) as she deals with the early onset of dementia. … read more

Kelly

Kelly
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In his feature film directorial debut, James Stenson brings us Kelly, a documentary about Kelly Van Ryan, a transgender prostitute living in Los Angeles. Stenson reveals Kelly’s life in layers, starting with her living in high demand. But as more about Kelly is revealed, the more one-dimensional she becomes. … read more

Roller Town

Roller Town
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Roller Town takes place in a part of the past where everyone roller-skates and everything is awesome. After “gangsters” murder his father, Leo grows up alone, knowing nothing but roller-skating. Leo’s smooth moves at the roller rink help him steal the mayor’s daughter from a local skate-snob, but when the goons who killed his father return to kill disco and turn local teens into video-arcade-addicted zombies, will roller-skating be enough to help Leo defeat them? … read more

We Win Or We Die

We Win Or We Die
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Mahdi Zew, an oil company administrator and father of two daughters, pilots his car with a trunk full of explosive gas cylinders into the heart of the Katiba. This suicidal and heroic act devastates his family, yet creates a new future for Benghazi. … read more

The Law in These Parts

The Law in These Parts
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The Law in These Parts looks at the same issue as another World Cinema Documentary Competition film, 5 Broken Camera: Israel’s control over the West Bank. After seeing both films, it feels impossible to review one without referencing the other. Although both films cover essentially the same topic, the manner in which they are told and the perspective differ.  … read more

We’re Not Broke

We’re Not Broke
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United States tax law is purposely complicated. This is why people hire accountants. Unfortunately, the complexity of the U.S. tax code is exactly what has allowed the majority of multi-billion dollar U.S. companies to evade paying taxes through the use of offshore tax havens. Turns out U.S. companies hire accountants too, often times ones who helped write portions of the tax code, or have spent time working for the I.R.S.   … read more

The House I Live In

The House I Live In
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Inspired by director Eugene Jarecki’s relationship with his childhood caretaker, The House I Live In serves as a great introduction and overview of America’s 40-year-long war on drugs. Through a series of interviews with law enforcement officers, scientists, drug users, drug dealers, incarcerated individuals and the families of the incarcerated, Jarecki paints a vivid picture explaining that the violation of drug laws has become a multi-generational problem for poor Americans.  … read more

Welcome to Pine Hill

Welcome to Pine Hill
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Based on real events in the life of lead actor Shannon Harper (playing himself), Welcome to Pine Hill presents an intimate look into the life of a young black man as he severs the ties of his drug-dealing past and attempts to cope with his sudden diagnosis of terminal cancer. … read more

February

February
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Opening with a dark and surreal sex scene, we follow the main character’s search for human connection on the most basic level. Sex permeates the 11-minute film, from the thumping sounds our character hears above the basement floor while fixing a pipe, to the blowjob he receives in an alley outside of a booming nightclub. … read more