HOW ROMANCE CAME TO BE: An Interview with Mike Patton and John Kaada

HOW ROMANCE CAME TO BE: An Interview with Mike Patton...
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One of them is a Norwegian composer who has scored numerous European films and released his mold-shattering debut album, Thank You For Giving Me Your Valuable Time, on Ipecac Recordings in 2001. The other is the enigmatic frontman behind some of the most influential and original projects of the past 15 years, and the owner/founder

My Parents’ Favorite Band and the Gimme Gimmes: Interview w/ Spike Slawson

My Parents’ Favorite Band and the Gimme Gimmes: Interview w/...
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Me First and the Gimme Gimmes really need no introduction—you should know their shtick by this point. Just in case you don’t: Swingin’ Utters’ Spike Slawson (vocals), NOFX’s “Fat” Mike (bass), Joey Cape and Dave Raun from Lagwagon (guitar and drums, respectively), and former No Use for a Name and current Foo Fighters member Chris Shiflett (guitar) don their finest attire, drink too much, and crank out skate-punk covers of just about everything. … read more

Extending Soul: Who is Ron Carroll?

Extending Soul: Who is Ron Carroll?
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From being a choirboy to an award-winning vocalist, Chicago native Ron Carroll not only can play classical saxophone, clarinet, trombone and trumpet, but he’s been on Billboard charting and DJ-ing house music for over a decade. Find out who he is in this SLUG exclusive interview. SLUG: Who is Ron Carroll? Ron Carroll: A-jack-of-all-trades-master-of-none kind

Take the Fall – December 2004

Take the Fall – December 2004
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“I smashed my head against the wall, I don’t bleed at all. … I’ve forgotten how to feel, is any of this real/I’ve got suicide intent.” –Austin Parton (singer/guitarist, Take The Fall) “Something that differentiates us from other bands is our songwriting,” Austin explains. “Every song you’ll hear on our CD is a true story.”

How to Build a Better Monster: My Psycho-Sexual Dream of The Cramps

How to Build a Better Monster: My Psycho-Sexual Dream of...
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Last night I had a dream. Or was it? A giant black-and-white spiral pulled me from my bed. I passed through its middle and found myself in a science lab with a strange-looking man on an operating table. He had dark hair, pale skin, a thin body and flamboyant 50s clothes. Hovering over this man

Ain’t Dead Yet: An Interview with Skinny Puppy

Ain’t Dead Yet: An Interview with Skinny Puppy
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In 1995, it was thought to be over. After 13 years, Skinny Puppy was dissolving and it seemingly came to a close with the overdose of Dwayne Goettel. In the years that passed between now and then, a multitude of side-projects by members of the legendary act resurfaced. Download, The Tear Garden, OhGr, Ritalin and

Just Another Fan on Stage: An Interview with Matt Freeman

Just Another Fan on Stage: An Interview with Matt Freeman
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Matt Freeman is the best bass player out there, and he’s been proving it for years in Rancid and, before that, in Operation Ivy. When longtime Social Distortion bassist John Maher quit in order to spend more time with his family, Social D went looking for a new bass player. Mike Ness went straight to

The Inevitable Evolution of Isis: An Interview with Aaron Turner

The Inevitable Evolution of Isis: An Interview with Aaron Turner
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In September of 2002, a Boston-based band called Isis released its second full-length album, Oceanic (Ipecac Recordings), and shattered the boundaries of heavy/aggressive music. Back in 2001, the group released Mosquito Control EP (Escape Artist), which was epic in its heaviness, but still experimental enough to immediately draw comparisons to metal and punk heavyweights Neurosis

In Camera

In Camera
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“Reverse cowgirl indie-rock with a cigarette after;” said In Camera when asked to describe themselves. Six months together, this group of musicians are all barely 21, all live in the same house, and all work for the same employer. They’ve successfully toured once and have a lot of humorous drunk stories to go along with

Speak Nonfiction, Bleed Nonfiction: Q and Not U Bring a Message to the People

Speak Nonfiction, Bleed Nonfiction: Q and Not U Bring a...
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I have always been a member of the music-and-politics-don’t-really-mix-because-no-one-cares-what-musicians-have-to-say-anyhow camp. Obviously, I can’t ignore the glaring exceptions to the rule. For instance, consider the reverence that Bob Marley and his music are still, in the present day, granted by the Jamaican populace. Yet with artists such as Bob Dylan and Woody Guthrie often still serving