Music
SLUG Magazine’s collection of reviews covering the latest and greatest of Utah-based music, covering all varieties of genre, style and type.
Local Review: Nostalgia – Self-Titled
It’s not often that a baritone voice sticking to a few sustained notes hooks me. It’s more rare when the band comes from Utah County.
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Local Review: Michael Biggs – Gold
Salt Lake’s dark side is finally coming out of the woodwork. … read more
Local Review – Max Pain and The Groovies – Self-Titled
Max Pain and the Groovies certainly have an affinity for the Texas psych scene, and this EP sounds more focused than anything I’ve heard from them before. … read more
Local Review: The Glass Gentlemen – Self-Titled
In some ways, The Glass Gentlemen share a lot in common with the psychodrama of early Cursive recordings. … read more
Local Review: FORMAL – Self-Titled
FORMAL seems to have ’90s indie punk running through their veins, but that doesn’t stop them from being unpredictable. … read more
Local Review: The Dog – Slow and Sweet
Slow and Sweet is a mix of everything from a little grunge to some bubblegum pop and vocals that sound like a gritty Marc Bolan. … read more
Local Review: Cubworld – Life Is Music
Cubworld (aka Jake Kongaika) brings us a part acoustic, part party-groove album with Life is Music. … read more
Local Review: Creature Double Feature – A Ghost Story
Dreamy, ambient folk is performed throughout this piece. … read more
Local Review: The Circulars – Self-Titled EP
The Circulars’ sound, while comparable to several bands from a bygone era of earnest and dark, jangley pop music, could be properly suited to nearly any time—simply based on the fact that the songs are good, the musicians are talented and there’s no air of pretense to deflate the mood. … read more
Local Review: Brother Chunky – And Stuff
Brother Chunky drives the beat, all bluesy and SRV-ish with his guitar.
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