Music
SLUG Magazine’s collection of reviews covering the latest and greatest of Utah-based music, covering all varieties of genre, style and type.
Local Reviews: Opal Hill Drive
Rumor has it this record took eight years to release. What was the big hold up? I’m sorry, but at this stage in your music career, you should be pushing as hard as you can. … read more
Local Reviews: The Mooks
For nerdy, awkward, sexually frustrated teen males, there is no better genre than the kind of pop-punk with “whoa-ohs” and only three chords. On The Snuggle Sessions, The Mooks have created a style of music that makes me want to go back and relive the part of my life when I listened to The Descendents and The Ramones every day, but without the part where talking to girls almost made me throw up. … read more
Local Reviews: Loom
Salt Lake music fans would have to have lived under a rock (or maybe in a stake center) to miss seeing Loom’s name on a marquee or show flier. The most indie of Broship is back, sporting a more refined and matured sound in Selva Molhada via Exigent Records. … read more
Local Reviews: Lindsay +INFLUENZI+ Heath
Lindsay Heath is an artist entirely in her own right, comparisons to other female pianists aside. When not busy adding her unique talents drumming and playing to the arsenal of others, she unlocks her own powers on personal projects like this. … read more
Local Reviews: Eyes and Ears
This two-song EP is the twentieth release by local SLC label 8ctopus Records, and the first one to be put out on seven-inch vinyl. As with other discs released by label owner Eli Morrison (Vile Blue Shades, the Wolfs, Pink Lightnin’, etc.), there is a certain amount of built-in rarity with this one—it is limited to 250 copies. … read more
Local Reviews: David Williams
It sometimes amazes me what can come from one man and his guitar. Beyond that, it makes me proud when that man lives in the great state of Utah. Portland Sessionsshowcases Williams’ fragile voice remarkably well. … read more
Local Reviews: Cub Country
Thankfully, a local band who had deep roots in the alt-country scene is changing it up. The twang on every song was getting a little tiresome ‘round these parts. Fortunately, Stretch That Skull Cover and Smile is really gutsy rock for most of the disc. … read more
Local Reviews: Clayton Carr
At a dance party comprised of a packed, windowless room of T-Pain fanatics, hair gel and “shawties” all uncontrollably grinding away, this album would probably go over quite well. For most of you who don’t get all sweaty and rub up against each other to music that could be considered either “hot” or “steamy,” this album probably won’t be up your alley. … read more
Local Reviews: A Balance Of Power
It’s always interesting to run into new metal locals in S.L.C. because it’s not too often you see metal heads scurry around Utah streets. A Balance of Power is new to me and Stomp the Ground is an album with five jams that have a crossover mix of metal. … read more
Local Reviews: The Waters Deep Here
“Ambitious as fuck” are the first few words that came to mind when I listened to this for the first time. Sunden is three tracks ranging between 12 and almost 28 minutes in length, bookended by intro and outro tracks, and separated by short but effective interludes. … read more