SLUG Magazine’s collection of reviews covering the latest and greatest of Utah-based music, covering all varieties of genre, style and type.

Local Reviews: Wings of Normandy

Local Reviews: Wings of Normandy
By

Hailing from good ol’ Salt Lake City, Wings of Normandy have been busy with a brand new album, Bitterroot, released on their own label, Narwhal Records.  … read more

Local Reviews: Victims Willing

Local Reviews: Victims Willing
By

I couldn’t be more impressed with a band I hadn’t heard a thing about until I had the CD in my hands. This is hardcore punk rock with just as much vibrancy and attention to melody as brutality, and it has as much viscosity as anyone can handle.  … read more

Local Reviews: Timothy Hay

Local Reviews: Timothy Hay
By

This Wreckerd is all over the place as far as genre, bouncing back and forth from blues to folk and everything in between. However, this roots cavalcade hits all the right spots to make an interesting record. With over a dozen players featured, the record becomes epic in scope.  … read more

Local Reviews: Soft BleR

Local Reviews: Soft BleR
By

ElekHztro, from Orem’s Soft BleR, is an album that doesn’t show its true colors until most listeners have pushed skip on their iPods. Electronic wizard Sam Davis places a formidable road block with the first half of the album that could alienate listeners without the patience to wade through the headache-inducing minimal chord progressions and pummeling house beat. … read more

Local Reviews: Righteous Audio Werks

Local Reviews: Righteous Audio Werks
By

Vocal-free reggae is amazing. It elevates the standard genre above just something to get stoned to and takes it to a level similar to jazz. That may be a bold statement, but bold bands like Righteous Audio Werks (RAW) are happy to do it.  … read more

Local Reviews: Red Pete

Local Reviews: Red Pete
By

Red Pete hits the nail on the head in the first song “Best Defense” when singer/bassist Keith Callister sings, “You tripped a landmine in my head.” I couldn’t have said or sung it better myself there, Keith—a landmine has definitely been tripped in my head by your sweet, jiving jams. … read more

Local Reviews: Mark Dago

Local Reviews: Mark Dago
By

Plain and simple, this is one of the better local CDs I have been lucky enough to come across. SelfHighFive is a testament to the talent in the area—the production is tight, the beats hit your ears crisp and clear, and the dude’s lyrics are sharp.  … read more

Local Reviews: Harbor Royale

Local Reviews: Harbor Royale
By

It pains me to be a Debbie Downer about music, but when the first 35 seconds of the album make me want to scratch my ears off my head, I find it necessary. On one hand, Aspirations would sell at Hot Topic to girls with too much eyeliner, without question.  … read more

Local Reviews: Ghosts of Cinema

Local Reviews: Ghosts of Cinema
By

How does one reject both time and color? Some sort of laser?  In trying to avoid the pitfall of lyrical content focused solely on relationship drama, the young Ghosts of Cinema reach for some pretty ambitious, yet ridiculously obtuse subject matter on their debut album.  … read more

Local Reviews: The Furies

Local Reviews: The Furies
By

Glow’s opener, “Death of Man,” could be an okay rock track if properly recorded.  But, you know that whisper-scream people do when quoting a scream from a song/movie?  Well, the Furies recorded that for some reason.  Many tracks are just noises—a door closing, a repeating guitar pattern, random drums and arbitrary, incoherent 12-inch-whisper vocals.  … read more