SLUG Magazine’s collection of reviews covering the latest and greatest of Utah-based music, covering all varieties of genre, style and type.

Local Reviews: Bellrave

Local Reviews: Bellrave
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Local dance musician Allison Martin continues her quest to become the resident queen of the disco scene. Her latest project—a collaboration with Allister Marx, under new moniker Bellrave—certainly takes her one step closer. … read more

Local Reviews: Fever Dreams

Local Reviews: Fever Dreams
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Even though they’re from St. George, I’m pretty sure that anytime Fever Dreams play a show in their hometown, we’d be able to hear ‘em all the way up in Salt Lake. This is dirty, mean, evil shit. … read more

Local Reviews: Vena Cava

Local Reviews: Vena Cava
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Easily my favorite new local band, Vena Cava have given us a recorded taste of their jarring, experimental punk. The band has captured the ethos of their live performance—a rickety and staggering simulation of monsters that snarl against the straight-laced disposition of normal society.  … read more

Local Reviews: Scenic Byway

Local Reviews: Scenic Byway
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Local rap band Scenic Byway have been taking Salt Lake by storm  with their cool raps, sweet sounds and appealing messages. The track “Surprise Surprise” is the perfect song for anyone who has ever found themselves stressing out more than necessary. … read more

Local Reviews: Eyes Open

Local Reviews: Eyes Open

The EP is short but sweet, consisting of just three four-minute-plus rock-ballad style songs that flow in and out of each other easily. They are pretty, nicely executed, neatly produced, and clearly reflect the influences (such as U2 and Foo Fighters) that the band members have listed on the back of the album sleeve. … read more

Local Reviews: Pretty Worms/Plastic Furs

Local Reviews: Pretty Worms/Plastic Furs
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With “Comet Tail,” you can hear Trisha McBride’s vocals a little more clearly in the mix of bright bass and thick sonic distortion, and her ranting drone is an excellent fit for Pretty Worms. It’s a little slower and much less noisy than their other material, but as a stand-alone track, it rocks with the best of them. While the familiar, yet still unsettling vocal loops play on, the drums keep a snappy, danceable beat.   … read more

Local Reviews: Desert Noises

Local Reviews: Desert Noises
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If I had to pick one local album to share with a friend from out of state, Mountain Sea would probably be it. To me, it represents the real quality folk-inspired rock n’roll that comes from Utah. Its sound is big enough to fill wide-open spaces and its feeling is intimate enough for a good pair of headphones. … read more

Local Reviews: Pretty Worms/Blackhole

Local Reviews: Pretty Worms/Blackhole
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“Killers Galore” is a ride through noise punk hell on a groovy bass and a light, punchy drum rhythm. Punctuated with sound clips of sirens and yelling, part of the song’s appeal is the sublime strangeness with which they approach a very basic song.  … read more

Local Reviews: Cathy Foy

Local Reviews: Cathy Foy
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“I can carry my own weight, I can carry my own sins, away,” Cathy Foy delicately sings on “I Became a Flash” from her sophomore release, Quiet as the Hour. Most of us are accustomed to seeing Foy behind a drum set playing for scene makers such as Hang Time, Future of the Ghost, Bluebird Radio, The Awful Truth, The Downers and more. On Quiet, Foy showcases a newfound confidence in songwriting and performance. … read more

Local Reviews: Pretty Worms

Local Reviews: Pretty Worms
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Side “Acid” takes punk beats and droning bass grooves and combines them with electronic noise and glitched-out mechanical melodies. Pretty Worms play a style of noise rock that is pretty unusual at first listen, but if you give it some time, the incoherent vocal loops and seemingly random atonal synthesizers might begin to make sense.  … read more