Music
SLUG Magazine’s collection of reviews covering the latest and greatest of Utah-based music, covering all varieties of genre, style and type.
Local Reviews: John-Ross Boyce and His Troubles
Deliciously raw and gritty, Black Shuck/Old Crow is a really great album—a sort of stoner-gypsy-folk-rock mash-up. Wailing guitar riffs and rich, flowing vocals define the 14-song collection and, while the moods and tempos do vary, the album maintains a pretty consistent blues-based vibe that plucks at your heart-strings—kinda even tugs on your skin a little. … read more
Local Reviews: JRapp
Jon Rappaport’s debut EP is a rhythmic, warmly melodic, complexly layered record that really shows off his skills as a producer. It’s evident that he has great instincts for composition from the fact that each track becomes a journey, bringing the listener along. … read more
Local Reviews: Dustbloom/Huldra
Ah, the split album—it’s a perfect way to showcase new bands and display the diversity of a musical community. This split features three songs apiece and a collaborative track from two of Salt Lake’s most exciting bands in the world of aggressive music. … read more
Local Reviews: 2WENTYTHRE3
The thing about this 2WENTYTHRE3 is that it’s really pretty good for what it is. From the little information I could find about Jared Smith, a Utahn, he’s taking himself pretty seriously and trying earnestly to turn in a solid effort for his sound and his branding, and it’s easy to tell that he is working very hard at both. … read more
Local Reviews: Deny Your Faith
The first track from Deny Your Faith’s Taste the Infection, “Pierce the Vein,” happens to be the worst cut of the release. The rest of Taste of Infection is populated by thrashy riffing, some punchy breakdowns and more than enough guitar soloing. Add some great jam-rocking moments and it’s all a damn fine release. … read more
Local Reviews: Wesly
Brainchild of lead singer Wesly Lapioli, this album is neat and complete. The songwriting is clear and specific, and for local bands and debut albums, that is an admirable feat. Not having to compromise content with other band members has surely lent itself to a more definitive direction and style, and Lapioli’s inspirations have led to an album that seems to revisit the sounds of the mid-1990s grunge era. … read more
Local Reviews: Sodacon
Founder Jesse Crawford took Sodacon solo in 2008 after nearly a decade of existence, tossing the music catalog and spending over two years writing and producing new material by himself. [ed.- Sodacon has always been a solo project and has recorded six albums in the last six years] The result is Songs Of Summer, which isn’t as much a full musical experience as it is Crawford showing off. … read more
Local Reviews: Society Mis-Call
Here’s the kind of hardcore I like to see coming out of Utah. Pure Reagan-era throwback that owes more to Dischord’s Flex Your Head compilation and Midwest mutant thrash than Earth Crisis, stretched earlobes or the vegan apocalypse. Possibly recorded in a garage under water during a power outage, it’s the slightly sloppy charm, the pissed-off drill sergeant vocals and the self-deprecating wit (“We Suck”) that keeps me coming back to it. Songs range from the outlandish (“Society Mis-call”) to the accusatory (“Fuck the Lies”) to the spooky (“Halloween”). … read more
Local Reviews: Scapegoat
Utah has played host to its fair share of visionaries and eccentrics. Edward Abbey, Joe Hill, Wallace Stegner and LaMonte Young (Southeast Idaho is close enough) have spent time (or died) here in Utah. Drinking from that pool of collective genius is the dark ambient artist Scapegoat. … read more
Local Reviews: It Foot, It Ears
It Foot, It Ears is a tricky animal. One part Nick Foster from Palace of Buddies, one part Jason Rabb from Bad Yodelers fame, It Foot, It Ears is cut from the same cloth as their experimental predecessors. Day Type is full of strange tunings, even stranger time signatures, disjointed melodies, loads of negative space and pregnant pauses. … read more