Music
Review: Phosphorescent
Phosphorescent’s latest album, Muchacho, is laden with lazy, whining steel guitar, strolling piano, trumpet pieces, string sets and lyrics about the trials and tribulations of love. The instrumental work on this album is where Matthew Houck really flexes his songwriter muscle. … read more
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Review: Ólöf Arnalds
Ólöf Arnalds comes from the land of ice and Sigur Rós, and although this is her third album, Sudden Elevation is the first to be sung entirely in English. The album was written mostly during a two-week stint in the fall in a seaside cabin, which gives it a cohesive feeling from start to finish. … read more
Review: Old Wounds
There is a certain, special je ne sais quoi about the sound that Jersey-based Old Wounds deliver. It’s not new or groundbreaking, nor is it a completely tried-and-true homage to some old hardcore sound. Devastatingly simple, it is heavy music stripped to its rotted bones and delivered without pretense or gimmick. … read more
Review: Old Man Markley
OMM play fast-paced bluegrass that they approach like people living in the present day. I guess that makes them the new punks on the scene, but I just hear well-crafted, original music that happens to have bluegrass elements. … read more
Review: Ohvaur
Opening with one of the chunkiest bass lines in recent memory, A Memories Chase is an album as musically powerful as the story that led up to it. … read more
Review: No Turning Back No Regrets
No Turning Back is no one’s favorite band. Sure, they probably have fans since they’ve been around for 15 years, and have seven full-length releases under their belt, but nothing they’re playing on No Regrets touches on any of the keystones of a memorable hardcore album. … read more
Review: Nick Cave & the Bad Seeds
Push the Sky Away initially accompanied Nocturama on my list of Nick Cave disappointments. Upon repeated listening, it seems that much of my disappointment had to do with expectations for—or interest in—something different. Blame Grinderman. … read more
Review: Mwahaha
Mwahaha’s self-titled debut is a full-on electro-psych, pretentious jam session that left me feeling adrift and unsatisfied. … read more
Review: Metal Mother
A project of Oakland native Taara Tati’s confident musicianship and dark-wave occultism, Metal Mother’s second album, Ionika, will surely make waves in that burgeoning ethereal-witchy-gothic-pop, post-Internet scene you either love or hate by now. … read more
Review: Lonesome Leash – I Am No Captain
The first time I attempted to listen to I Am No Captain, I got 30 seconds into the first song before pausing in a frenzy and stowing it away for two weeks. … read more