Music
Review: Deepswing Feat. Kristi Lomax – Love Is…
DEEPSWING FEAT. KRISTI LOMAX “LOVE IS…” Generate Music What I believe to be in the top five, if not the best, release from Generate Music, “Love is …,” is the first solo project produced by Eric Wikman of Deepswing Productions on the Generate label. Originally created in a “live band session” with some of the
Review: Audiowhores – Work It Out
AUDIOWHORES “WORK IT OUT” Peppermint Jam From Manchester’s Audiowhores (Soulfuric/LAY) comes the latest and greatest from German Label Peppermint Jam. This quality production features the powerful vocals of Rashaan Houston and is for late-night dance floor gurus. Chunky, funky and straight-up house, this record is definitely a hottie of summer, and perhaps for later seasons.
Review: Fiver – Let It All Fall Down
FIVER LET IT ALL FALL DOWN Devil in the Woods Fiver encompasses dream pop that at times reminds of Postal Service because of the falsetto over-electronic elements, but more often than not, the guitars push away the comparisons. This is more akin to the shimmery pop that dominated the U.K. and American College charts in
Review: The Great Depression – Unconscious Pilot
THE GREAT DEPRESSION UNCONSCIOUS PILOT Princess As the name of the band might suggest, The Great Depression, this lot create music with a predominantly mellow and melancholy tone. Not to say that there isn’t some lovely drum work to keep things from bottoming out and the occasional piano bit to swing away from the cascading
Review: Jim Guthrie – Now, More Than Ever
JIM GUTHRIE NOW, MORE THAN EVER Three Gut Jim Guthrie spins out warm and wistful folk that has received so many fantastic reviews I can’t quite figure out why I’m not moved. Lyrically, it doesn’t strike me as anything close to a Bob Dylan, Simon & Garfunkel or Joni Mitchell. Musically, it doesn’t impress me
Review: Black Tape For a Blue Girl – Halo Star
BLACK TAPE FOR A BLUE GIRL HALO STAR Projekt Often regarded as innovators in the ethereal/darkwave genre, Black Tape For A Blue Girl return with an album that is dominated by male vocals rather than the angelic female approach that has been found on the majority of their recent releases. It is, however, not a
Review: Workhouse – The End Of The Pier
WORKHOUSE THE END OF THE PIER Devil in the Woods Workhouse creates an instrumental world of organic soundscapes with more variety and style than you’d find in a dozen releases from a less skilled band. There are bits and pieces that run the gambit of shoegazer influences including nods to My Bloody Valentine, Ride and
Review: Clinic – Winchester Cathedral
CLINIC WINCHESTER CATHEDRAL Domino The men dressed in scrubs return with more evidence of exactly why they are one of the cast of Radiohead’s favorite bands (sometimes it is hard to tell who exactly is influencing who) and how it’s just about time everyone else took notice. In many ways, Clinic are the older, more
Review: M83 – Dead Cities, Read Seas & Lost Ghosts
M83 DEAD CITIES, READ SEAS & LOST GHOSTS Mute There will be those who would crown this French duo as the anointed kings of highbrow hipness and perhaps, for once, the masses might not be far wrong. M83’s sound is caught directly between Sigur Ros’ stark and soaring beauty and Air’s synthesized warmth. The result
Irrebuttable: The Royal Smashings of Austin’s Invincible Czars
On August 4, 2004, I snagged the boon of some face and jaw time with Austin’s Invincible Czars after they had transformed Burt’s Tiki Lounge into Burt’s Klezmorim Circus Den. It was not the standard interview where you get shoved into a corner with the tambourine player they’re about to kick out of the band